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Who Wants To Live Forever could have been so much better, but she felt so nervous and the ending was very misjudged.
Unfortunately nothing will embed but they're all on youtube.
Week 1: Who Wants To Live Forever?
Week 2: It's Oh So Quiet
Week 3: Live And Let Die
Week 3: Edge of Glory
Week 4: Sweet Dreams
It's fair to say this bitch does not have OFF DAYS but which of the above was the most ON POINT?
Who Wants To Live Forever could have been so much better, but she felt so nervous and the ending was very misjudged.
The one where she jumped in the swimming pool.
I honestly cannot choose between Live And Let Die and Sweet Dreams... she worked the stage like a fucking PRO during the former but was perhaps a bit more on it vocally during the latter. And then for sheer SPECTACLE it really has to be It's Oh So Quiet.
The Edge of Glory SING OFF
GAGA-LEVELS of AMAZING
FEARLESS FEMALE
What I like is that she's really working hard and learning from what goes right and what goes wrong every week. It's really interesting to see just getting a little bit better each time. I hope she stays long enough for that to continue.
*goes out in Kitty-Misha B bottom 2 next week*
Nothing comes closeOriginally Posted by Loufoque
This
A normal person must
Dismiss you with disgust
And weep for those who trusted you.
Easily The Edge Of Glory (Take TWO)
It's like you're screaming . . . and no one can hear;
you almost feel ashamed . . . that someone could be that important
Despite HATING the daft bint it was one of my favourite sing off performances EVER
talk about meaning EVERY SINGLE LETTER OF EVERY WORD
1. Sweet Dreams (amazing)
2. It's Oh So Quiet (amazing)
3. Edge of Glory (great, but she sang through her nose for most of it)
4. Who Wants to Live Forever (It was weird and the start was off, but the big notes were good)
5. Live and Let Die (great performance, awful vocals)
NEVER has the line I'm on the EDGE, the EDGE, the EDGE, the EDGE, the EDGE, the EDGE, THE EDGE rung TRUER
Last edited by Loufoque; 01-11-2011 at 05:28 PM.
FEARLESS FEMALE
I could feel that desperation seeping through every pore, and I was LOVING IT.
Sweet Dreams and Edge Of Glory (bottom 2 desperation mix) are both SENSATIONAL.
Rank:
01 Edge Of Glory
02 Sweet Dreams
03 It's Oh So Quiet
04 Live And Let Die
05 Who Wants To Live Forever?
'Sue, did the President call?' ... 'No' Last.fm
She has consistently DELIVERED and actually in many ways she hasn't needed all the bells and whistles that Misha has either (although the latter is clearly more NOW than Kitty's conceptual perfs)
1. Edge of Glory
2. Live and Let Die
3. Sweet Dreams
4. It's Oh So Quiet
5. Who Wants to Live Forever
Last edited by SDF; 01-11-2011 at 09:31 PM.
A lot of you know how I feel about Lady Gaga and her back catalogue.
Since Kitty's performance, I have downloaded Edge of Glory and been playing it ever since, even developing a love of the music video.
I didn't think, I just posted
Don't do it, Su
I love your anti-Gaga rants
It's a great song
FEARLESS FEMALE
I wonder if people are beginning to realise the true QOLNESS of Kitty? She was bottom two a couple of weeks back, ok, but she's SENSATIONALLY DELIVERED both performances since and I, for one, am beginning to warm to her.
I THINK SHE COULD BE THE NEW RUTH LORENZO LOVES
It's been too long, it's been too long...
WASH YOUR FOUL MOUTH OUT
although I am detecting some unfortunate comparisons
The gays need to MOBILISE to keep Kitty in the competition
FEARLESS FEMALE
Oh she'll never be as FABULOUS as LA LORENZO, OBV but I meant in a "Bottom Two GAY STAR"WASH YOUR FOUL MOUTH OUT
although I am detecting some unfortunate comparisons
It's been too long, it's been too long...
Ruth was always portrayed as likeable, she just didn't fit into any easily mobilised fanbase (regional/tween scream/housewife/sympathy vote).
Anyway, there's a (probably totally fabricated) thing in the tabloids today about Kitty being accused of racially abusing a member of The Risk, so I don't think the psycho bitch tag is going away just yet.
Last edited by VoR; 02-11-2011 at 11:02 AM.
Ruth was much more likeable on the show
it's more that fact that she lost all humility afterwards and followed the Mel C trajectory of "self-fulfilling creative ownership without label interference in misguided attempt to be the next Marianne Faithfull while writing embarrassing pop tunes" except without any of the CASH to support her
This seems to be blowing up at the moment. The Mail are saying the FANZ are asking her to leave over it. Just what is happening - is it true?!
It doesn't seem like any more sizable a fuss than the Misha bully row. I think it's just the X Factor press office going schizo as per.
But then at which point do you decide not to drag someone down by alluding them to be racist?
Last edited by PercyPig; 04-11-2011 at 12:13 AM.
”Go around, we're recreating a faux pas'”
The bully row was actually started by a judge though. Has anybody heard Kitty being racist? What is the guy from The Risk saying?
It's all absolutely disgusting.
To be honest worse comments have been made and quickly brushed over (such as Anton on Strictly referring to Laila Rouass as a 'paki') than what Kitty said to Derry ('evil black bastard') - if she's apologised there's really nothing more that can be done. She obviously doesn't deserve to be chucked out of the competition for it!
Maybe she can spin the line John Terry is using, "No, I DIDN'T call you a black bastard"
”Go around, we're recreating a faux pas'”
Oh so she has admitted to saying it then? I didn't realise.
I should've said 'what Kitty supposedly said' I guess. All that's been reported is third hand stuff from the usual 'sources'.
These black bastards need to GET OVER IT. Kitty is a QoL and John Terry would GET IT right in his miserable little face.
She's on Big Brother's Bit On The Side tonight
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