Melodifestivalen: Schlager Boiler Survivor - ROUND TWO

Vote for your LEAST FAVE

  • 2014: Alcazar - Blame It On The Disco (3rd)

    Votes: 0 0.0%
  • 2021: Charlotte Perrelli - Still Young (8th)

    Votes: 0 0.0%

  • Total voters
    27

VoR

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Another disaster for this bitch :(

annabook.jpg


A sort of Swedish Colleen Nolan figure, weave enthusiast and mature Jesy Nelson lookalike Anna Book is best remembered for her truly ludicrous 1986 hit ABC. Unlike fellow 80s divas such as Lena Philipsson and Pernilla Wahlgren, Anna wasn't really able to translate her childhood stardom into an adult recording career, and by all accounts she sort of dropped off the radar for much of the 90s, re-emerging in 2006 on the first season of Sweden's Strictly Come Dancing, where she came second to Måns Zelmerlöw. She parlayed this profile boost into another ludicrous Melfest hit in 2007 with Samba Sambero. Since then she hasn't really had much of a recording career to speak of, but unlike her first stab at fame, she has maintained a presence on the lower rungs of Swedish celebrity thanks to her seemingly endless capacity for drama.

These have included (inevitably) her endlessly fluctuating weight, gastric bypass surgery, a near-fatal bowel obstruction, her son being accused of sexual assault, something about a dispute with a refrigerator repair man which was somehow deemed newsworthy enough for one of her trademark weeping photoshoots for the Swedish tabloids:

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And, of course, arguably her finest hour - her inglorious return to Melfest 2016. Intended to celebrate 30 years since ABC, Anna's grand comeback sadly went awry when it emerged that her entry had already been recorded in English for a a Moldovan national final a couple of years earlier:



For once, this was not a drama of poor Anna's making (she never claimed to have written the song herself) but nevertheless she was booted from the competition just 24 hours before her scheduled performance. A wave of uncharacteristic public sympathy followed, so much so that Anna was allowed to perform out of competition, received a VERY un-Swedish ovation from the crowd and even went to #1 on iTunes for a few minutes.

Since then she seems to have mostly gone back to the day job of being a messy bitch who lives for Drama. A relatively minor figure in the Schlager firmament, but essential nontheless.



8th: Anna Book - Himmel för två
 
2010: Pernilla Wahlgren - Jag vill om du vågar


2011: Linda Bengtzing - E det fel på mig?


2014: Alcazar - Blame It On The Disco


2014: Helena Paparizou - Survivor


2018: Jessica Andersson - Party Voice


2019: Lina Hedlund - Victorious


2021: Charlotte Perrelli - Still Young
 
Victorious is the least stunning of what remains (OMG this gets hard fast past this point)
 
WHERE is that fake Anna Book perfume advert from that year they got her to do all the interval skits?!
 
And yeah, Victorious was a nice moment but I can't say I ever feel the desire to play it. The half-arsed Steps version didn't help either.
 
Unlike fellow 80s divas such as Lena Philipsson and Pernilla Wahlgren, Anna wasn't really able to translate her childhood stardom into an adult recording career, and by all accounts she sort of dropped off the radar for much of the 90s,

8th: Anna Book - Himmel för två
Well her Melodfesitvalen 1994 reject at least is certainly an experience. :D
 
With the obvious first boot gone, as glorious as it was to see Lena get that DTF, Victorious is the weak link. :(
 
I put Victorious and Party Voice in a similar bucket, but the latter is marginally better.

Agree that the Steps bontempi version killed any any admiration for Victorious stone dead.
 
My instinct says Jessica Andersson, Victorious was SWEET
 

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