here's my current slimmed down/most torturedest poets edition
I like how it plays, getting stronger/more interesting as it goes on
I like that one too but in the emosh ballad stakes I thought loml and the smallest man hit a lot harder. however I'm still adding to it! just want to give everything a chance to growOh hang on, it doesn't have So Long, London?
I take it BACK!
It doesn't have to, no. But it makes sense if you're 'dropping' an album to make the single track 1 because that was it attracts all the curiosity streams. I mean, it's Taylor Swift, she could have released a single that wasn't even on the thing and it would still have been massively streamed/viewed but in other cases, it's a more visible tactic.
No, but I meant that @Jark is saying that Fortnight is a strange choice for a single. I see why the lead single is track #1, I totally get that, but it didn't have to be Fortnight leading off the album. It wouldn't have thematically mattered.
Does that make any sense?
The solitary "dickhead" is quality.
the 4th day streams being bigger than the 3rd is kind of insane.
Down Bad and I Can Do It With a Broken Heart (both climbing to 2 and 3 on global today) emerging as the GP faves currently...
also still top 10:
05. So Long, London
07. The Tarty Lingerie Dept
08. My Boy Only Breaks His Favourite Toys
10. But Daddy I Love Him
no usually Sunday has much higher streams than Monday in general. songs always hit lows on Monday Tuesday and then spend the week climbing again.
@taylorswift13 now owns the 5 biggest single day streams by an album on Spotify:
#1 TTPD 314.5M
#2 Midnights 185.6M
#3 TTPD (2nd day) 183.3M
#4 1989 (TV) 176.2M
#5 TTPD (4th day) 155.1M
didn't Prince release a minimum of an album a year for like 10-15 years at one point? I wouldn't say the technology of the day held him back