so much to unpack after listening to this album on repeat 3 TIMES in a row thanks to yesterday's event, cause yes, it was an event.
I did stream a supposed Deluxe Edition found in Spotify with a horrible alternate cover tho and some remixes tacked on in the end along with Get back & Everybody but no Outta This World.
- this album will always NOT BE uninteresting just for the fact is supposedly made up of random demos Britney managed to record while going through one of her worst downwards spiral yet turns out to be one of her finest when it comes to production and delivery. Were these songs made up from demo vocals? Demo vocals as in she didn't bother to re-record them properly? If so, kudos to Danja and Bloodhsy & Avant, his work really shines through and through.
- even though there more producers added to the mix, it's one of her most cohesive sounding albums. The Neptunes can fuck off giving her what may be the worst track found here.
- I am AGOG they had enough material to gather up bonus tracks
Get Back deserved to be an album track but honestly, it just sounds like a Break The Ice rewrite and perhaps that's why it was lef out?
- I would have bumped Radar bit further down the tracklist (to maybe Track9) and it would have exterminated the whole human gay race in 2007 with those first 8 tracks.
-This really showed why Danja and Jim Beanz were at the top of their game
First the 1-2 punch of Loose & FutureSex/LoveSounds and then this. My syncopated rhythm loving heart could only take SO MUCH. No wonder everybody wanted to collaborate with them, even Bjork called them up and then Madge invited Danja to collaborate in Hard Candy ((and what a ROLLERCOASTER of emotions that album is, and I don't mean it in a good way!). Mariah just settled for one track with him but what a track