Yeah, this - probably more than in most countries as Sweden's basically the global leader in Spotify penetration, but I sense most of those upper age groups (maybe less so 45-59) will probably still consume a lot of music via radio. 3-9 probably use Spotify family accounts.But when you consider the voting groups, how many people in the 45-59, 60-74 and 75+ (and throw in the 3-9 too) actually use Spotify? I don’t think it’s the be all and end all of what will and won’t do well with the televote?
Well YOU’D HOPE!I think recency bias is inflating the streaming figures of certain songs/throwaway bops anyway
I will say that this hasn't been an iron rule in recent years!I think recency bias is inflating the streaming figures of certain songs/throwaway bops anyway
They did enjoy their free balloons but started crying when Corny didn't give them any sweetsthe audience that did attend basically being a TODDLERS PARTY
Here was 2020's most viewed programmes in Sweden (@VoR's only just wrong - it's the most watched programme of the year in Sweden by miles that isn't Donald Duck)QUESTION for those who know these things:
can we expect much of the audience for the final to not have heard the songs already or should we assume most of those interested have already been watching?
I know it certainly doesn't send me to sleepIt’s literally NOTHING LIKE Lana after the 40 second mark.
I think if anyone’s expecting any major changes staging wise for Eurovision (should she win) they’ll also be disappointed..I’ve asked before and not got a straight answer so I’m not hugely confident this time, but what’s wrong with the staging?
I think if you’re expecting it to be “vastly improved” for the final you’ll probably be disappointed - I’m pretty sure that’s how it was intended.
Well sort of, but it's nowhere near as produced and slick as Voila's camerawork. At first I kind of wanted it to be, but I think it works rough around the edges now. (also in honesty, it's probably for the best that it doesn't very consciously do what Voila did otherwise it'd get quite a lot of copycat accusations - it's only really the 'following into another room' intimate shot that really feels that close to it)I think the camerawork is a case of “ooooh! Let’s recreate Voila!!!”
You know the INSANITY IS NIGH when I'm getting out the TIMESTAMPS FOR THE POSTSI'm here for Penelope's second-by-second analysis! Also that second is one of my favourite seconds
Spotted this in the comments:
She told us in an interview that there were a couple of issues with the staging during the semi. The lighting will be different in the final and the camera work will be better. Also, her mother is giving her outfit an upgrade. I am excited!
I don't think the tech problems affected the camerawork!I think wanting to see a second take of the performance considering the tech problems in heat one is QUITE VALID
I don't think the tech problems affected the camerawork!